{"id":7477,"date":"2019-11-15T08:27:16","date_gmt":"2019-11-15T08:27:16","guid":{"rendered":"http:\/\/www.mytwostotinki.com\/?p=7477"},"modified":"2019-11-15T08:27:28","modified_gmt":"2019-11-15T08:27:28","slug":"fundstuck-1","status":"publish","type":"post","link":"https:\/\/www.mytwostotinki.com\/?p=7477","title":{"rendered":"Fundst\u00fcck (1)"},"content":{"rendered":"\n<blockquote class=\"wp-block-quote\"><p><strong>&#8220;Kunst war nie ein Mittel, die Welt zu \u00e4ndern, aber immer ein Versuch, sie zu \u00fcberleben.&#8221;<\/strong><\/p><p><strong>aus: Thomas Brasch, Eulenspiegel (abgedruckt in: Kargo. 32. Versuch auf einem untergehenden Schiff aus der eigenen Haut zu kommen, Suhrkamp 1977)<\/strong><\/p><\/blockquote>\n\n\n\n<pre class=\"wp-block-preformatted\">\u00a9 Thomas Brasch\n\u00a9 Suhrkamp Verlag\n\u00a9 Thomas H\u00fcbner and Mytwostotinki, 2014-9. Unauthorized use and\/or duplication of this material without expressed and written permission from this blog\u2019s author and\/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Thomas H\u00fcbner and Mytwostotinki with appropriate and specific direction to the original content.<\/pre>\n<!-- AddThis Advanced Settings generic via filter on the_content --><div class=\"dmrights_badge\">\r\n\t\t<script type=\"text\/javascript\">\r\n\t\t\tcatalogCode = \"AAA-1100-01\"\t\t\r\n \t\t<\/script> \r\n\t\t<div id=\"DMR-seal\"><\/div>\r\n\t\t<script type=\"text\/javascript\" src=\"http:\/\/ipregistry_wp.dmrights.com\/dmr.js\"><\/script>\r\n\t\t<\/div><br \/>","protected":false},"excerpt":{"rendered":"<p>&#8220;Kunst war nie ein Mittel, die Welt zu \u00e4ndern, aber immer ein Versuch, sie zu \u00fcberleben.&#8221; aus: Thomas Brasch, Eulenspiegel (abgedruckt in: Kargo. 32. Versuch auf einem untergehenden Schiff aus der eigenen Haut zu kommen, Suhrkamp 1977) \u00a9 Thomas Brasch \u00a9 Suhrkamp Verlag \u00a9 Thomas H\u00fcbner and Mytwostotinki, 2014-9. Unauthorized use and\/or duplication of this [&hellip;]<!-- AddThis Advanced Settings generic via filter on wp_trim_excerpt --><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true},"categories":[12,129],"tags":[894,242],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p4yNbb-1WB","_links":{"self":[{"href":"https:\/\/www.mytwostotinki.com\/index.php?rest_route=\/wp\/v2\/posts\/7477"}],"collection":[{"href":"https:\/\/www.mytwostotinki.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.mytwostotinki.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.mytwostotinki.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mytwostotinki.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7477"}],"version-history":[{"count":2,"href":"https:\/\/www.mytwostotinki.com\/index.php?rest_route=\/wp\/v2\/posts\/7477\/revisions"}],"predecessor-version":[{"id":7479,"href":"https:\/\/www.mytwostotinki.com\/index.php?rest_route=\/wp\/v2\/posts\/7477\/revisions\/7479"}],"wp:attachment":[{"href":"https:\/\/www.mytwostotinki.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7477"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.mytwostotinki.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7477"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.mytwostotinki.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7477"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}